A Taste of Spoken Word Today in LA: Poetry CDs by Dottie Grossman, Ellyn Maybe, Robert Peters, Scott Wannberg, Viggo, Hank
Tonight at 7:30pm I am fortunate enough to go to the Artists Union Gallery, 330 S. California Street, Ventura at the beach promenade to hear Dottie Grossman do a call and response reading with the very improvisational and creative Michael Vlatkovich and the equally inspired Jeff Kaiser sitting in. Jeff and I have been friends since we were about 6. An open mic follows where I’ll read a poem or two, then we’ll have a drink somewhere and share stories. Tomorrow morning, I’m off to have caffienated beverages with Kaiser just like we used to before he abandoned me alone in Ventucky and went off to get his Ph.D at UC San Diego. (I know, I know–I could have gone to! but I am stuck in Ventuck and left to follow his intellectual and other adventures in green tea, yoga, whisky, etc on his blog.) The picture of Dottie, by the way, was photo-shopped by Kaiser.
So listening to recordings is a reasonable second best to hearing a poet in person. I have some favorites on-line like Paul Squires who blogs at gingatao (happy holidays, Paul!) Word Salad is another great source and Rafael Alvarado puts on a lot of shows on blog talk radio.
In addition to on-line recordings, there’s plenty of spoken word YouTubes but on most of them (my own included), the audio is not very good.
And then there are CDs–lots of them, actually, as recording has become easier and cheaper and so has making cds. Some CDs are very professional, like Danika Dinsmore’s All Over the Road; her’s also integrates music. Others are not that great for a lot of reasons.
“Jazz and poetry have been periodically hooking up since, like, the Fifties, man, so it’s a hard thing to bring off without sounding like Ferlinghetti, or worse, Maynard G. Krebs. So, bouquets to Philadelphia-born poet Dottie Grossman and eminent L.A. trombonist Michael Vlatkovich for bringing something fresh to the conceit. Vlatkovich improvises on the poetry. Sometimes he comments on it, sometimes he illustrates, and once or twice, he outright guffaws. That is a very valid response, especially on the selections that are part of what Grossman calls “the Henny Youngman series.” These are epigrammatic little one-liners that capture some of the pathos, nihilism and absurdity of the late comic’s work. And delivered in Grossman’s nasal Philly deadpan, they’re quite funny. But they’re also short; most of the poems here are only a few lines long, and that makes most of the 37 cuts on this hour-long CD little more than sketches. But they’re enjoyable sketches, miniatures, really, and several are laugh-out loud funny. A pleasant way to spend an hour.” -John Chacona, Signal-to-noise, Spring 2005
Rodeo for the Sheepish Ellyn Maybe (Henhouse Studios)
“Reading Ellyn’s poems from the page is one thing but hearing her read them just the way she meant them to be heard is something else altogether. Ellyn has a great sense of humor and reads wonderfully. The musical accompaniment on the album is not mere background filler but a true collaboration between Ellyn and the musicians that really works.”–Henry Rollins.
I’ve been a huge fan of Ellyn’s since I met her back about 1996 and first started hearing her read around. I’ve bought her books, both formally and informally published, and enjoyed them. The format here is lovely–you get both a CD and text of the poems; this way, you can put the CD in with the others and the book on the shelf! I’m looking forward to putting this CD in the changer in the car and listening to it on road trips.
Going Down The River in a Hayloft Coffin: the evocative years by Robert Peters Robert Peters (Henhouse Studios)
“The fascination with the dead, with the rotting, with the pigs rooting into the earth, a poem about a primal scene in a root cellar, discovering sex and the underground, taboo, death-related experience–this is what all of Peters’ poetry is about which gives it great originality and power.”–Diane Wachoski
This CD starts out with a prologue and two important pronouncements “I’m 84,” and you can tell from the craggy voice, he is at least that old. The first poems ends with “I simply have to trust whimsy.” This project offers 49 poems by Robert Peters set to music by Harlan Steinberger; like Ellyn’s cd, the poems are here like in a little book. A poet, critic, scholar, playwright, editor and actor, Robert Peters was born in 1924, received his BA in 1948, MA in 1949, and his doctorate in literature in 1952. His first book of poetry, Songs for a Son, published in 1967, is still in print (W.W. Norton). His publications and awards are many. I look forward to sharing some of these works with my 89 year old father-in-law.
3 Fools 4 April Hank Mortenson, Viggo Mortenson, Scott Wannberg (Perceval Press $20 supports Beyond Baroque)
3 Fools 4 April is a CD/DVD set of a poetry reading given by Scott Wannberg, Hank Mortensen, and Viggo Mortensen in support of the Beyond Baroque Foundation in Venice California. It comes as both a CD and a DVD; instead of one poet and music, you get three poets and no music as far as I know as I haven’t heard this yet myself but am intrigued after reading this very positive review by Richard Marcus: “All the little clues that you normally get from watching a person come through on a DVD. Whether body language or eye movement, it all helps us to interoperate the poem all the better,” writes reviewer Richard Marcus. And yes, it’s that Viggo Mortenson reading with his son Hank (whose mother is Exene Cervenka is memory serves me right).
To get you “in the mood” to listen to Dottie Grossman, here’s five fun photographs and four of Dottie’s poems.
And just in case this matters to you: Ellyn sent me the Henhouse CDs, I asked Scott for one of his but he hasn’t responded yet, and Kaiser gave me a copy of Dottie’s a few years ago.