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VCCool NEWS & Earth Month News

April 16, 2008

The Art Predator’s Pawprints will be all over some of these up coming events! Find out more about climate change, global warming, and what YOU can do to contribute to the solution instead of the problem. Attend Earth Month events in your commuity–show solidarity, grow, participate!

This newsletter can also be read on line.

http://www.vccool.org/images/logo/logo_vccool_blue.jpg

VCCool Newsletter April 15, 2008


Dear Climate Activists,

It’s an Earth Day event smorgasbord, so get your calendars out, air up your bike tires, find the bus schedule, and call your car-pool buddies! It’s time to meet, greet, and cool the heat.

VCCool will have a booth at two of the events – so see you there.

Also in this issue – important policy information.

-From the folks of VCCool
www.vccool.org

Mid Town – Earth Day Expo and Green Home and Garden Tour

http://www.vccool.org/newsletter/19_april_08/earth_day_08_poster_sm.jpgSaturday, April 19th, 2008
10 a.m. to 4 p.m.
336 Sanjon Road,
Expo free – tour $10

Come out and see what your neighbors are doing to go green at home. The Midtown Ventura Community Council is sponsoring an Earth Day Expo and Green Home and Garden Tour. Visit the displays and pick up the map for the tour.

Updated Slide Show – An Inconvenient Truth

http://www.vccool.org/newsletter/19_april_08/inconvenient_truth.jpgSaturday, April 19th
5:30 p.m. to 7:30 p.m.
EP Foster Library, Topping Room
651 E. Main St.,

Gretchen Lewotsky “Climate Jedi” will be presenting this Climate Project presentation. Gretchen is one of 1,000 people who trained with Al Gore. The slide show has been updated with new information and facts about our local communities.

This event is sponsored by Jorgensen for Congress. Marta Jorgensen is a candidate for the United States House of Representatives, 24th District, and will also be at the event.

Earth Day in Santa Barbara – CEC Style

http://www.vccool.org/newsletter/19_april_08/cec_earthday.jpgSunday, April 20
10 am – 5:30 pm
Santa Barbara County Courthouse
1100 Anacapa Street, Santa Barbara

Sponsored by
the Community Environmental Council

Highlights include:
Green Car Show and Advanced Transportation Marketplace, Energy Village, Environmental Entrepreneurs and Innovators, Live Music and Entertainment on the Solar-powered Stage, Free Bicycle Check-ups, Children’s Area, Ride Free on MTD.

Ventura College Earth Action Day

http://www.vccool.org/newsletter/19_april_08/vc_earthaction.jpgWednesday, April 23
10:00 to 2:30 p.m.
Ventura College
Free
car parking is $1 on campus, bicycles free

VC’s second annual Earth Day is about ACTION–taking action, advocating action–with an emphasis on actions related to global warming.

The event features two stages of entertainment, a film series, booths, a program by EATM, music, singer/songwriters, poets, writers, clothing swap, alternative transportation info, and speakers.

More information

Carl Morehouse:
Creating Sustainable Communities

(a Ventura College Earth Week event )

Thursday, April 24th
12:30 to 1:20 p.m.
SCI 352 (the Science Building), Ventura College Campus
Off Telegraph

Carl Morehouse, Ventura City Council Member, previously Ventura’s Mayor, will speak on creating sustainable communities. This is an excellent opportunity to hear about city planning issues that affect Ventura citizens, and our ability to curb climate change.

Faith, Food, and Farming:
Presentation and Communal Supper

http://www.vccool.org/newsletter/19_april_08/green_lettering.jpgSaturday, April 26
1:30 – 5:30 p.m.
North Oxnard Methodist Church
1801 Joliet Place, Oxnard, 93030
$7 (no one turned away)

Presented by Progressive Christians Uniting

Environmental Justice:
Our Faith, Our Bodies, Our Neighbors, our Planet

How does what we eat really matter — and what does it really cost, now and in
the future? Join us for an afternoon of learning and action on the issues of how
our culture of food production and food choices impacts our bodies, our planet,
and our life together. Breakout sessions on organic farming, nutrition, farm
policy, and more. We’ll worship together and share a simple meal at 5 PM. Flyer

http://www.vccool.org/newsletter/19_april_08/solar_clean_energy.jpg

Californians for Solar and Clean Energy has just collected enough signatures to put the Solar and Clean Energy Act (SACE) on the California 2008 November ballot!

This act requires 50% of all electricity sold by California utilities after 2025 to be generated by clean, renewable sources including: solar, geothermal, wind, biomass, small hydro, and tidal. According to the group, “California’s major investor-owned utilities, as well as coal and nuclear interests have indicated they will vigorously oppose this ballot proposition.” press release,
SACE FAQ

Two More Green Events

Saturday, April 19th, 10 a.m. to Noon
Low Flow Irrigation practical workshop with John Lamar – 401 South Ventura Street, Ojai

Saturday, April 26, 3-7 pm
EcoLogic Life – green interior building store opens in Ojai – Refreshments and Harp Music Flyer


If you received this message from a friend, and you’d like to be on Ventura’s Global Warming email list, send a note to the action@vccool.org with instructions to add you to the global warming e-mail list.

TAXES: a poem from the 3:15 experiment

April 14, 2008

This poem is from the 3:15 experiment and was published in between sleeps: poems from the 3:15 Experiment 1993-2005.

Poets from all over the world wake up at 3:15 am every night in August and write!

For those of you readers who live in the US, you will know why I chose to post this…as taxes must be “posted” by Tuesday night April 15 by midnight. Wish us luck! We’re almost done with 2006, and found out we don’t have to get in 2007 by April 15 to get our rebate as long as we’re getting back money (which we should) thanks to our friend Charles and our friend Annie.

This is the version of the poem published in ARTLIFE Limited Editions April 2003; the version published in between sleeps: the 3:15 experiment 1993-2005 is exactly how I wrote it at 3:15 while this one is slightly different (I deleted a few lines and exchanged the placement of the first 2 stanzas).

Good luck, everyone getting your taxes in and getting your refunds and your rebates back! Maybe next year, we’ll see some real CHANGE, some real tax reform where corporations might actually carry their share (or more!) of the tax burden; these says, corps cover under 15% while in 1940 they paid 50%! While businesses complain that US corporate tax rates are the second highest in the developed world, when loopholes etc are factored in, it is the third lowest in the world when measured as a percentage of gross domestic product. The House of Reps passed a bill to end $18 billion in tax breaks to oil companies (like they need them when they are making obscene profits thanks to Bush’s policies!). These are mainstream facts, gathered from today’s Parade Magazine (that hot bed of Marxist journalism).

TAXES

taxes are like the carrot on the plate
i never wanted to eat they get
older & older & less appetizing
just eat your carrots someone might say
it’s not that simple

i have to get them done to get the loan
to keep my house from tumbling off what
little foundation it has & landing
in the bottom of the barranca to
wash to sea it’s gonna be an el nino
winter they say & i believe them i
can feel it, taste it is time again for
rain whether i am ready or not
the sea is hungry

taxes are a cacophony of chaos
bits & pieces of paper swim
with alacrity flutter up to the ceiling
dive down & kick up the silt
i am plankton & i can’t breathe
in the churning turmoil of these taxes
i dare the cats to take a dip they do
jumping on them rolling through them
simple things annoy me i hate to see
things digitized tile, sheets, every day
objects i am irritated immensely
by the swirly taxes the multiple piles
the endless pieces of receipt they
refuse to behave to get in line be
orderly i am embarrassed by their
ganglike swarming their lack of precision
they threaten to rise up take my throat
take my house no one understands the
power they have these are people who
balance checkbooks who possibly know
how much money they have it’s not that
i even owe in fact i was to live
the month of august on my return
return
return
return to a place where the taxes live
in peace domesticated instead
i live in the land of the wild taxes
i’m trying to shoot my way out with words
these numbers just aren’t mine

visit readwritepoem for some even more political poems

catch the poetry train

Education no longer the road to societal equity; bumps on the road dump students in streets

April 14, 2008

Steve Lopez

Steve Lopez:

Schools begging, and we’re all the poorer for it

April 13, 2008

My column Wednesday about the growing cost of public education seems to have touched a nerve in a state where we’ve moved way, way beyond candy sales and pancake fundraisers.

If you missed it, I wrote about a meeting at the L.A. Unified elementary school my daughter will attend in the fall. More than 200 people attended, and leaders of the parents group asked us to reach for our checkbooks and help fill an anticipated $180,000 budget gap so the school doesn’t lose the literacy coach, math coach and computer guy.

Welcome to the club,” wrote Mitch Lane, who said he has been asked since 1997 to donate to his daughters’ public schools in La Cañada Flintridge. Without parental support, he said, “our schools would be seeking disaster relief. . . . Best wishes on shedding light on one of our state government’s most embarrassing blunders — not making education funding a priority.”

And what about schools where parents can’t come up with the dough, as they can at my school and Lane’s?”Our fundraising was not as fruitful,” said Cynthia Santos-Decure, whose son is a student in Long Beach. “We will lose our computer instructor, librarian and only have a nurse one or two days a week. Those are just the preliminary cuts. . . . I ask myself, what’s next?”

It’s anybody’s guess. What happened to the days when public education was not just valued, but was seen as a great equalizer in American society, offering a pathway to upward mobility for even the least fortunate students?

There’s more to his column, which you can read below. But as someone with a child entering kindergarten, and as someone who has worked with community college students who want to be educators or just get a decent job, I had to write him back in response to the above:

Hi Steve,

It’s not anybody’s guess as far as I’m concerned; in fact you identify it in that same paragraph when you point out that public education no longer serves as a “great equalizer in American society, offering a pathway to upward mobility for even the least fortunate students.”

Those with money and power no longer wish for an equalized society. They want to maintain their wealth and advantages for their offspring and friends, and they see nothing wrong with that perspective.

sincerely, The Art Predator
(and community college teacher)

The rest of his column follows–but I’m curious–what do you think? Do you agree that free educational opportunities should be offered to all? This is especially important to consider as it is tax time. Few people realize how little many big corporations pay in taxes; even Parade Magazine today had an article stating that 61% of US corporations paid no taxes between 1996 and 2000.

I don’t buy the argument that if you’re “smart” enough, you will get the educational advantages you need to have choices about life, careers and education. You have to have cultural capital as well. And who gets to decide who is smart?

Read more…

The Big Monkey’s Top 10 Springsteen shows

April 14, 2008

The Big Monkey has been to 100 Bruce Springsteen shows, more or less, since 1981. We’ve been to a few shows together since 2002, and every time, he says, Wow, that was so great, that made the Top Ten! So after he said that about the Tom Morello guest appearance on the Magic Tour in Anaheim, I put it to him: what are your Top 10 shows???? At least today’s list

#10 Magic Tour, 2008, Anaheim. “The Ghost of Tom Joad’ with Tom Morello of Rage Against the Machine was that good.

#9 Devils and Dust Tour, 2005, Pantages Theater, LA. Went with the Art Predator, he played lots of different instruments, mandolin, pump organ, piano, and it was a powerful record.

#8 Seeger Sessions Show, 2006, Greek Theater, LA. Fun music, great band, everyone was having so much fun playing those songs, and went with the Art Predator.

#7 Ghost of Tom Joad Tour, Wiltern, 1996. Won front row tickets from a LA radio station; had to name the song from 2 notes. The song was “E Street Shuffle”. His first acoustic tour, just him and the guitar.

#6 Night 2 Tunnel Tour 1988 Mountain View. Sat halfway up right in the middle. Really good show. Had to be there. The energy, the sound, the performance, all came together.

#5 Sat Night, Tunnel Tour, LA Sports Arena, 1988. Roy Orbison’s birthday 10th row seats. Before Bruce sang “Born to Run” he told everyone how Roy Orbison influenced him and everyone sang happy birthday to Roy Orbison. “We waited after the show and no one was recognizing him and we went over there and talked with him. He was the happiest guy. This was before his new records came out before the Traveling Wilburies, before he became popular again. I took his picture and he signed my ticket stub on his birthday.”

#3 & # 4 The Chrystic Shows for the Chrystic Institute, 1990, Shrine Auditorium, LA. Bruce played a lot of songs which ended up on his next records, Lucky Town and Human Touch, so no one had heard them before. He blew off his best friend’s bachelor party to make the show. no regrets. The memories of that show lasted much longer than the marriage (it made it 2 months).

#2 The Bridge Show 1986, Shoreline Amphitheater Mountain View CA. Bruce acoustic, all by himself, likely the first time he’d ever done that, and the first year of the Bridge shows, and the first year for the Amphitheater.

#1 The River Tour, 1981, LA Sports Arena. It was his first show, what caught the fish, what turned him on.

And what are your Top Ten shows of all time? By Bruce Springsteen or anyone? I too will think about this one! Or Festivals??

Bruce Springsteen San Jose Magic: review and set notes

April 12, 2008
Ron Wells wrote these notes for friends and fellow fans following the San Jose Bruce Springsteen show Sat. April 5:
Sometimes after a Springsteen show, your mind just wanders off into areas you might not otherwise think about. This happened to me as I flew home from San Jose while staring down at the sometimes desolate strata of rock formations that one can occasionally see in parts of California. For whatever reason, the late, great Lester Bangs came to mind with his quote: “In a time of squalor and belittled desire, Springsteen’s music is majestic and passionate with no apologies.”
He wrote this in 1977. Over 30 years have come and gone and Bruce continues his own passionate, personal fight against the desolation that life sometimes provides.
In San Jose on Saturday night, Bruce and his band brought their roaring, snarling,and often quiet form of majesty into the lives of 18,000 or so people. He made his case for fighting back against the squalor with nothing but sweat drenched desire, his own personal fight to open the door and let people dance away their own demons with a physically demanding show that was touched with stirring intellectuality and spiritual hope, all in guise of a rock and roll show.
From the opening connection of Out in the Street, the audience knew you couldn’t just sit back and enjoy the performance, as Bruce used the echo and call to get them to respond to him. Lonesome Day may not have been everyone’s favorite song, but again Bruce sang, “It’s all right, it’s all right, it’s all right,” and the audience threw up their hands and yelled back “yeah,” a positive confirmation to counter this world of pain and negativity.
Something in the Night was a fan’s request, and everyone can relate to at one time or another finding “the things we loved/They were crushed and dying in the dirt.” It’s the same darkness of the night that covers up the deathly horror of The Gypsy Biker and leads into the broad daylight of lies that is “Magic.” With that, he swiftly kicked into the powerful and dramatic Trapped, a song that acknowledges the prisons that somehow hold us as he sings, “Seems like I’m caught up in your trap again /Seems like I’ll be wearing the same old chains / But good will conquer Evil /And the truth will set me free /And I know someday I will find the key /I know somewhere I will find the key.” The stage goes from dark to brightly lit as he sings softly and then screams his defiance as the audience sings and pumps their fists in defiance with him.
Bangs would then have been proud of Bruce reaching into the primal blues of Reason to Believe, kicking ass as he ponders why in the hell anyone would put up with all of this stuff life throws at us if weren’t for that goddamn beat that keeps us shaking our hips and moving forward whether we want to or not. Yeah, so let’s see if you can Prove It All Night, and just in case you don’t think you can, you better listen to Nils, who now has been freed to shred his guitar, bend the notes, and basically play guitar for the gods as Bruce encourages him on. The shriek of understanding splits the arena like lightening bolts.
She’s the One, and she better be, as that mythical beat handed down from Zeus to Bo Diddley has everyone up on their feet, because this one never goes out of style. Promised Land offers enough hope that during Fire, Bruce and Clarence face off in dead silence after the music stops in mid-song, and the joyous screams of the audience fill the void. Hey, maybe there’s some fun around here after all. This seems certain for Bruce too as he runs back three times throughout the show to douse himself with water and then goes up on Max’s drum kit and squeezes the water down the back of Max’s neck, surprising even the drummer.
Bruce acknowledges his audience all night long, connects with them, talks to them, as they grab his legs and he grabs their signs and so we get Spanish Johnny riding into town, a song Bruce once said was about “the search for redemption.” In the spiritual church of Springsteen this better be true because in the Devil’s Arcade you’re going to “lie adrift with the heroes of the devil’s arcade,” where the only redemption that matters is the “Beat of your heart, the beat of your heart, the beat of your heart,” with Max pounding this understanding as the lyrics fade away.
Come on up for The Rising where there’s a “sky of blackness and sorrow ( a dream of life)” and ends in a “sky of fullness, sky of blessed life”. Wow, how did he do that? How did he take us from that hell to this blessed life. Maybe he’s just showing us the possibilities.
And now it may be time for a Long Walk Home through a town where things aren’t as they once were, and thus one must take this walk alone, so loved ones needn’t bother waiting up. But Lester Bangs could have predicted what would come next as Bruce and the band bring forth the anthem for all souls here on earth to “spit in the face of these badlands” and the choir sings along in approval and fills the building, fists raised, hearts pounding,
But the show’s not over. Bruce and his magnificent band of blood brothers (and sister) return and respond to a request for the Detroit Medley by way of Mitch Rider and before that, Little Richard. He then squeezes in his own Born to Run so that even the casual fans can feel they’re part of the larger group, a member of the community. Glory Days reminds many in the crowd that they may not be as young as they once were, but what the hell, it’s bouncy, you can dance to the beat, and some guy wrote the song title on his bald head so he must really want to hear this. Bobby Jean follows and seems to take some of the wind out of the arena, coming after such an adrenaline rush of the previous three songs, but Bruce looks especially determined as he sings this song of friendship that lives on no matter what the circumstances. To him, it matters a lot.
American Land rings in my ears as I look down and see the land about which he sings, a land holding men and women split into factions, fearful of what may come, a land once filled with such hope and dreams and now a land splitting like the fissures I see below. Yet into this land steps Bruce Springsteen and the E Street Band trying to hold us all together with their music and passion, asking us to the see this country, this continent, this world, as one we can believe in if we’ll only believe in ourselves and each other.
As Lester Bangs might have said, “What could be more majestic.”
———————–
Could not find a good video for Trapped, so here’s Paris ‘85:
http://youtube.com/watch?v=K2eE9H7Nzww&feature=related
(I tried to post the video but the new wordpress dashboard is still causing me problems with posting video and images!!! argh, the art predator)

Bruce Springsteen in Anaheim: Magic Tour set list & notes from a 30 year & 90 shows fan

April 12, 2008

The Big Monkey’s friend Ron Wells went to both Anaheim shows as well as San Jose (see subsequent post) and this is what he wrote for friends and fellow fans:

“I figgered, ‘maybe it’s all men an’ all women we love; maybe that’s the Holy Sperit-the human sperit-the whole shebang. Maybe all men got one big soul ever’body’s a part of.’ Now I sat there thinkin’ it, an’ all of a suddent-I knew it. I knew it so deep down that it was true, and I still know it.” —Jim Casey, in The Grapes of Wrath by John Steinbeck
“Tom laughed uneasily, “Well maybe like Casey says, a fella ain’t got a soul of his own, but only a piece of a big one–an then—. Then it don’t matter. Then I’ll be all aroun’ in the dark. I’ll be ever’where.” —Tom Joad, in The Grapes of Wrath by John Steinbeck
The “Ghost of Tom Joad” was the heart and soul of both Anaheim shows. It was the be all and end all, the past connecting to the present with Bruce bringing Steinbeck’s Oversoul by way of Walt Whitman and tying into an arena rock concert for the masses. With homes being blown away by foreclosures and people making similar treks as those of the Joad family, on comes Bruce Springsteen with Tom Morello to remind us of those whom we’re losing connection with. It’s hard times and people are out on that road again seeking food, gas, shelter. And it doesn’t play in the media because homeless, desperate people don’t make for good photo ops, but the Joads are out there again on that long and desperate road and this time they got company once again. Morello uses his guitar, Hendrix style, to scratch out that dirty truth that America’s roads are crowded with the teeming masses searching for a job, a home, a lifeline of hope. The song brazenly screams out from the band all the rage and anger that it can muster in the face of this American Land. The sleeping ghost of Tom Joad comes forth cursing with his own rage and despair, even into Orange County, that bastion of conservative America where the poor are despised for nothing more than being poor. Still, amidst these haunting, proud, Okie ghosts, Springsteen searches for that One Big Soul that Tom and Casey spoke of.
Some of us were fortunate to get glimpses of it in Anaheim.
Thirty-something years later after seeing my first Bruce show, and I’m seeing friends I’ve known from the beginning. People who love Bruce , but love other musicians, films and anything creative this world has to offer. Friends who have stayed out into the wee hours of 1978 or 1980 and talked of life and all that that entails. Friends who have had babies who then grew up into young adults. Friends who have had parents die. Friends who waited to talk to Bruce Springsteen and got their wish. And yes, some friends who are now gone, but remain within us still. All of us sharing the joy and pain that life has to offer, and here we are once again under that all encompassing, vital force that Bruce sings about and is also a part of.
Both nights blend into one big heartbeat, one dream of hope and faith amidst a country struggling for connections. And so Bruce starts off in the dark talking to his friend Steve about seeing the coming Light of Day because “things can’t get any worse /They got to get better.” But it ain’t long until we find that there’s a bad world out there of Murder Incorporated, where you better not look too closely or you’ll realize “everywhere you look life ain’t got no soul,” which really seems correct, but which then begs the question about where those wonderous and profound connections he so often sings about are living or hiding.
Once again, “Trapped” and “Reason to Believe” present that dichotomy of “prisons” inflicted upon us as we find ourselves trapped and lost in this world, and yet we somehow, someway, find a reason to believe.
“Devil’s Arcade” presents death front and center, and haven’t we all seen enough of that in these past few years. Bruce sings that it is the beating of the heart that we must believe in, and yet Max pounds those final haunting beats until one last big bang, and then the heartbeat stops. Just like that. And the ghosts come forth.
But Bruce, like Tom Joad, never gives up. He never gives in. “Blow away the dreams that tear you apart/Blow away the the dreams that break your heart/Blow away the lies that leave you lost and broken hearted,” he sings in Promised Land. There’s a better place. You just must continue to search for the soul of the universe and become a part of it by finding all that is good within you and then connecting with that which is good in others.
On the first night, I watched closely as the band began to return for the encores. Bruce patiently waited until all had entered the stage except Clarence. The Big Man finally struggles up the stairs with Bruce’s help, and they hug. It is a touching, fitting moment of love and compassion and friendship.
With the band all on stage, Bruce rocks the arena with “Rosalita”, “Born to Run” and “Ramrod”. This is the counter balance to all the despair that has come before it. It is the connection that Bruce throws out into the arena for everyone to latch onto, as if to say, “Here are the ties that bind. Grab on to them and pass them along.”
The second night begins with the hope that we’ll “show a little faith, there’s magic in the night,” as we start off down Thunder Road. But the ghost has not left the building and it is again Tom Joad’s soul that anchors this show.
Tonight though, Bruce seeks different answers, with the possibilities of sex, relationships, and love, or at least some semblance of the love we all seek. But even in “Candy’s Room” “there’s a sadness hidden in that pretty face.” In Because the Night the one lover pleads with his partner that “Desire and hunger is the fire I breath/Just stay in my bed until the morning comes,” but eventually ends up begging “to forgive me now.” The ties that bind, those connections of the heart, aren’t easy to find. So in “Brilliant Disguise” he painfully sings, “So when you look at me you better look hard and look twice/Is that me baby or just a brilliant disguise.”

Then here comes the “Ghost of Tom Joad”, yet again, in it’s same screeching, haunting, soul stirring rendition as the night before with Bruce and Tom Morello once again tearing the guts out of that song with all of its anger and rage filling both the living souls listening intently and the ghosts of the Dust Bowl hovering nearby.
And then I saw that connection that Bruce so adamantly believes in, preaches about, and tries to convey on a nightly basis. After the joyous “Out in the Street”, the band leaves to a thunderous ovation as the arena goes dark with thousands of flickering lights dancing like stars in some finite galaxy. Being close to the stage, I notice that Clarence does not walk off with the rest of the band. Instead, he sits and waits patiently for their return. Finally, Bruce comes back and sings a quiet, piano driven “Meeting Across the River”. The arena, rather than exploding, goes quiet, mesmerized by the story of a desperate man who’s about to connect with his pal Eddie so that “Cherry won’t take a walk” out of his life. Bruce sings it as if the guy has just lost his home, his lover, and may now lose his soul.
But an amazing thing is about to happen. The piano starts anew and “Jungleland” begins in all of its splendor, a place where “lonely-hearted lovers struggle in dark corners/Desperate as the night moves on, just a look and a whisper, and they’re gone.” And the Big Man walks slowly to the center of the stage and proceeds to blow his sax like his life depended on it. The horn sends notes of hope, despair and beauty out into the night-like darkness of the arena. Soon, it quiets and Clarence stands strong and proud at center stage. Bruce waits and then walks over in the darkness of the back-lit stage and puts his arm around his friend and whispers something into his ear. I can barley contain myself. Time stands still and all the friendships this life has presented come roaring back into focus with this one embrace. Souls connecting into the One Soul that we all share.
Bruce finishes the song, “The poets down here don’t write nothing at all, they just stand back and let it all be.” Words no longer suffice, as humans look for that connection, those eternal moments that transcend time.
People say it’s only rock and roll, but an autistic boy begins to speak after listening to Springsteen songs. A mother takes her son, who is undergoing treatment for a terrible disease, to the show because she understands that you can’t put a price on one’s attempts to heal the body and spirit. A little girl dances on stage with Bruce, timeless in its simplicity and joy. Yes, it’s only rock and roll, but it’s also the redemptive power of muisc.
As the band leaves the stage, Max grabs a poster and holds it up for all to see. It reminds us to think of Danny Federici, a soul not with us tonight, but with us all the same.
I walk out into the night of thousand chattering voices, all filed with the exhilaration this life can provide, withg the power of Bruce Springsteen and the E street Band. I look up into the night sky and somewhere John Steinbeck is looking down, knowing that we are all in this together, and its our responsibility to rescue those in need, to rescue each other, for starting on the day we were born we are all enveloped in this One Soul for all eternity. You see, there are no ghosts. There are just spirits of that Soul moving around us, moving within us.
Bruce moves off into another city with Steinbeck’s Tom Joad along for the ride, while I head off in the night to meet up with my friends. The same as it’s always been. In some way, the same as it will be forever.
————-
“I will provide for you and I’ll stand by your side

If you need a good companion for this part of the ride…”—-Bruce Springsteen (The Land of Hope of Dreams)

Seeing Springsteen after the Show & Anaheim Night 1 in Top Ten of 100 shows

April 9, 2008

The Ghost of Tom Joad was that incredible, the Big Monkey says. This version of the song with Bruce and Tom Morello singing and playing together, and their raw power, put this show (Magic Tour, April 7, 2008, Anaheim’s Honda Center) in his Top Ten Bruce Springsteen shows (he’s seen about 100).

See Bruce almost never has guests. Over the years he’s had a few guests like Eddie Vedder a couple of times, Neil Young, Jackson Browne, Bob Dylan. But it’s few and far between.

So it was quite a shock to have Bruce call out for Tom Morello of Rage Against the Machine. Rage has been performing “The Ghost of Tom Joad” since right after it came out (see 1997 video below).

Tom and Bruce traded verses and did the third one together, then they went into that incredible guitar duet, he says. Tom went off and Bruce was standing there watching him, playing along, and then when the song was over, the tech guys who work for Bruce, they were just applauding like crazy.

You can get the feeling a little bit from the video, he says, of the rage, and of the feeling of being there. But it’s not the same.

http://www.youtube.com/watch?v=dJT1EdKRF2g (this is a pretty good amazing of it, just uploaded to youtube–Morello’s guitar gave me the chills so I hope you’ll check it out if you haven’t already! sorry but it doesn’t want to load from my Mac onto wordpress’s new do)

Tom was a really nice guy afterwards when he came out and shook our hands, he continues. He walked up the long ramp outside and started talking to us, about 10 of us. He thanked us for saying how fantastic he was, and signed a couple autographs.

But the Big Monkey is not an autograph guy, so he didn’t get Tom’s, just shook hands and talked a bit…he just wants Bruce to sign the mat of his picture, and he’ll die a happy man.

When Bruce came out, at first we didn’t even think it was him, he says. My friend Ron and I were talking and waiting and this big SUV came up and it was Bruce sitting in the front seat. There were none of those people with booklets of shit to sign like we saw last time at the Pantages Devils and Dust shows in LA , those people who hang out after with pictures waiting for celebs to sign them. No these were real fans, a couple of European guys. a gal who was in the front row in the pit, a young girl, a few more.

So he signed a few autographs, shook and few hands, said “I gotta go” and his driver drove him off.

I was talking to my friends, he says, hanging out like they have for years, waiting for the boss. I blew it, he says, I really blew it. I kicked myself in the ass all day today. I should have been paying more attention and been a little more aggressive.

He thinks it’s his last chance, but he’ll get another one. I mean, how many of his fans have met him, seen him after a show, had a picture taken with him?

Next time I’ll hang out with him. We’ll get that autograph, you’ll see, and we’ll post it on the blog.

Coming soon: The Big Monkey’s Top Ten Bruce Springsteen shows. What are your Top Ten shows??

Springsteen & Morello: Joad Video from Anaheim

April 8, 2008

more about the show later…but here’s the video of one of the highlights!

ok so it doesn’t have the amazing guitar work there toward the end–but you get a nice taste, don’t you? the videographer said on you tube that the camera nozis caught him filming; lucky for all of us he got this much and we’ll see what else surfaces on the net, eh?

btw, were you there? what’d you think? post your comments below! let the Big Monkey hear from you!

Springsteen & E Street Band, April in Anaheim w/SURPRISE! Morello of Rage!

April 8, 2008

Waiting at the back door, yes he is, the Big Monkey is standing outside the door with about 10 old friends, fellow fans and die-hards waiting for Bruce to come out. The Big Monkey hopes the Boss will sign the picture of them from the Tunnel Tour show back in 1987 (see below).

He just called on his cell, his voice hoarse and excited. Tom Morello from Rage Against the Machine came out a few minutes ago and shook everyone’s hands. Earlier he played “The Ghost of Tom Joad”; later, a bunch of musicians from the Seeger Sessions came on and played at the end of the show.

“When we were standing in line, we heard it, during sound check,” he said, the thrill still in his voice. “They were playing “The Ghost of Tom Joad. When I came back about a half hour later, they were still playing it. The guard said they’d been playing it over and over the whole time. I could here someone singing but it wasn’t Bruce. About half way through the show, they called him, Tom Morello, up. It was phenomenal–the guitar work–the place was going nuts.”

Time for the Art Predator to hit the sack (someone had to go to work today and be with the kid!) Will have to post more details later…

Do you think Bruce ever came out? Did he shake the Monkey’s hand? Did he sign his photograph? What other rarities did he play? Tune in tomorrow and find out!

to tease you a bit more…here’s a Bruce version and RATM version…you will notice a difference… will watch out for the one from the show to post

to find Bruce’s clip, go to http://www.youtube.com/watch?v=1DEtA5fhk4k (just in case Bruce’s version isn’t loading for you–it wasn’t working today when I checked but it worked last night right after the show and it works if you go to you tube–good luck–it’s a beautiful vision of a beautiful song)

Preschool Share Day Blues

April 7, 2008

Preschool Share Day Blues


My preschool son asks
is it my share day?

I am that kind of mommy
who doesn’t know
and must admit this to h

im
and the school: I ask and am told
it is posted right there where we sign in.

Well where my husband signs him in
and my sister signs him out on Tuesday
and I sign him out on Thursday and Friday.

We miss it, we miss it, we miss share day.
We miss it again.
I am picking him up and
my son asks, when is it my share day?
I look on the board: Today.
Your share day was today.

He is dashed
then recovers with
that’s ok, I can do it
another day
can’t I?

Can he?
I look at Teacher Amy hopefully.
No, she says, his group may not
have another share day.
Preschool will be out soon, she says.

He stands up to my waist,

red hair boy short,
curls long gone.
He will go to kindergarten next fall.
He will have missed out
on preschool share day.

Oh no I think, I failed again.

She gives us permission
to bring something tomorrow

which is now today
and he doesn’t know what to bring.

It is time to leave for school,
time for my husband to be at work:
What to bring what to bring?

I want to bring my green car, he says.
The fast green car from
last Saturday’s birthday party
which he rolls swiftly down
the corner of the raised carpet.

I groan.
Don’t you want to share
something more special?

This green car is special he says.

His dad and I decide on pictures
we just got back from our trip to Yosemite.

He likes that idea. We rummage
for a small photo album to place them in
work together to order them.

.He rushes around for things

to share: he collects
the green car from Leon’s birthday party
a ducks tattoo and sticker from the hockey game he went to with his dad and cousins
a pinball maze toy from Monday’s trip to Trader Joes
a Diego and Dora

cd of games we’ve never played
a Sponge Bob Squarepants book “Ice Cream Dreams.”

I have six things, he says,

one two three four five six things to share.

We have the photos from our trip see
in this little book I explain
you get to bring one thing;
this is what we’re bringing.

Just one thing he wails,
I only get to bring one thing??

Look, I say, it’s full of pictures!
Let’s count one two three four…
see here’s the pictures of us skiing

and rock climbing
our friends
our campfire
see lots and lots of pictures.

You can tell everyone about our trip.

When I pick him up,
I ask how share day went.

It wasn’t his group, he says,
so he didn’t share, but
Teacher Amy asked him
at the last minute
and he shared the book

of pictures.

Next time, maybe I should just
let him share his green car and
know that what really matters

is not the thing he shares

but our life experiences
–teaching him how to ski

to climb to explore to love–
that shapes how he moves
and grooves in the world.

For more about our trip to Yosemite, go to staynplay.

Visit other participants in the Poetry Train

Visit other participants in the readwritepoem

I hope to upload some other pics from share day soon…(have you read yet that I hate the new WordPress Dashboard??)

art predator

art predator )'( seek to engage the whole soul

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