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Optimism for Sale

September 5, 2008
Buttons by Reed Seifer

Buttons by Reed Seifer

That’s right, if you can’t get there on your own, you can buy yourself a little Optimism from Reed Seifer’s Project Optimism. He has buttons and stickers in myriad colors to match your decor. Remember, you can never forget how to be from Optimism if you’re from Optimism . But if you’re currently traveling through despair, perhaps an

Project Optimism pins by Reed Seifer

Project Optimism pins by Reed Seifer

Optimism pin will help you find your way.

Get your own Optimism today!

The State of Optimism: new video by Art Predator; images by Reed Seifer

September 3, 2008

Thanks, Reed, for permission to use your original conceptual artwork from “Project Optimism” in the Art Predator’s new YouTube:

Read the text of the poem “State of Optimism” here.

The State of Optimism: a primer by way of a poem

September 1, 2008

The State of Optimism

Project Optimism by Reed Seifer

Project Optimism by Reed Seifer

I remember Optimism sadly as the place I go
to be in Optimism. The right hand of wisdom
waving from peace or the left
folding into presents a money to release
from gluttony to Gaia. I lived in Optimism
for some years. The state bird
is a phoenix. The state flower
is a smile which sounds ridiculous
though it is merely simple and deep and free.
An Optimist can say the word “free”
can deeply be the word deep.
In truth an Optimist is not wrong or right.
When I go back to Optimism I drive through Despair.
There is off I-5 in Despair a cemetery, so life
goes grave rose grave, I wave at Death,
which I’m not ready to accept yet
on account of more life as I pass.
Then Despair goes grave rose grave
mausoleum, goodbye Death. You never forget
how to be from Optimism when you’re from Optimism.
It’s like being a teenager and belly laughing.
The Upper Optimism is a helium state
in case Optimism goes flat. I live now
in Limbo, which has no helium
but is named the same as a town in Nevada,
I live in Limbo again, which is floaty
but doesn’t take me anywhere and lifts my skirt,
suddenly there’s a pool and a canyon like tourists
are needed. The state joy is Love.
“Cupid, we beseech thee, rise up and shoot arrows”
is how we might sound were we Optimists infatuated
when a crush hasn’t ended. Crush
is thirteen eons long in Optimism.
We are a people who by Crush
want to kill the clouds for hiding Cupid
and being selfish with us. “Choose me”
is the state motto. There’s a day in Love
when we’re all jewelers, necklaces
everywhere, and roses are asked
by young angels to be their wives. When an angel elopes
with a rose, you know where he’s from.
In this way I have given you a primer.
Let us all be from somewhere.
Let us all teach each other everything we can.

Optimism a painting from johnfenzel.typepad.com

The image above can be found here (but I don’t know where that source found it).

Another poem in this project, “50 States 1 Kelp,”  can be found here. This project was inspired by Bob Hicok’s poem “A Primer” which you can find here along with a little bit about Bob.

To see more poems prompted by other literary works, check out readwritepoem here.

To participate in this project yourself (and thanks to those who have already and who may again!) please leave a link to your blog and link this blog to yours!

I am almost done with a new YouTube using this poem, some musical accompaniment and groovy images from Reed Seifer’s Project Optimism.

Project Optimism by Reed Seifer

Project Optimism by Reed Seifer

(see image at top, too.)

A Newsweek article, Your Brain on Optimism, can be found here.

Burning Without The Man

August 31, 2008

The Man Burned Without Us

Somehow, all the hard core Burners I know stayed home from the Burn this year. Even Alan Sailer, who graced Yahoo’s news coverage and showed up on the New York Times on line coverage last year for his artistic and well lit costumes, after 12 years in a row. And Kathy, 11 years in a row. Helen Fun Pineapple didn’t go. Merry Malice, with 10 Burns under her belt like me, she didn’t go. Toni the Tiger, with 5 Burns, stayed home. Jason and Mark went to San Diego. And more. When Eric Werb called me back to RSVP about the party, I was sure he was somehow calling from the playa. He said even the staff at his neighborhood Chinese restaurant was surprised to find him still in town.

So why were we here instead of there?

Part of it was the uninspiring theme, The American Dream. Part of it was economics, both financial and energetic–just can’t do it all, certainly not in your 40s, with kids, a mortgage, jobs that you can’t escape or quit. We all had our reasons for why it didn’t seem right to go this year–even though almost 50,000 people attended (way more than my first year in 1992 when there were only 600 of us!).

So we gathered here, Burners who weren’t Burning, and a few honorary of future Burners, 20 or more in all. We got a bonfire going, and we did not go on-line to watch the Burn or other art on blogs or Current TV. We talked about how sometimes the tide needs to go out for a new tide to come in. We talked about how we carry the Burn inside us, and that we can renew as well here with friends as well as there. We made plans for next year.

And we participated in our own way. We feasted on an amazing potluck dinner, the likes of which we could never have had on the playa: garlicky bruschetta from just picked heirloom tomatoes, grilled corn picked that morning, green salad, pasta salad, rice salad, Kathy’s ginger/carrot birthday cake for Myr’s 40th . We drank Bitch wine, a Grenache from the Grateful Palate (which could have been chilled a bit–room temp of 75 is too warm!). We tried not to bitch any more than that; the Chateau Ste Michelle Blanc de Noirs sparkling pink fit the mood better (what a lovely sparkler for under $10!)

We wore some of our playa finery, like Alan in his black light eyes which you’d swear stared into you, Kathy in her beribboned bra and glowing egg necklace, and Merry Malice in her EL wire mermaid’s tail. I dyed my hair orange and pink, wore a red and black sequined bra and black velvet skirt. (pictures to be added soon!)

Merry Malice brought a collection of toilet paper and paper towel rolls, a box, and a large piece of rebar which she fashioned into a 10’ tall man. We stuffed its head with paper notes about our dreams; from within, an American flag fluttered on its pole. I wrapped newspaper around pomegranate seeds which we stuffed around the rebar for a pulsing red heart. During the process, I burned a Tibetan incense for transformation, and powerful, ritualistic frankincense and myrhh resins in an abalone shell.

We ventured out past my yard to the wide open space of the desolate city storage yard, carrying the man, a bucket of water, and a fire extinguisher. We stuck the rebar into a milk crate, filled it with cement blocks, and then I lit the flag.

Ventucky Burning Man 2008

Ventucky Burning Man 2008

We watched it burn, then I lit other places.  The heart fell out, and the head was too far from fuel to burn so when it was time, we carried the head and the heart to the firepit in our yard, and burned it there. While the head and the heart burned, I smudged the house with the frankincense and myrhh, outside, then inside, before rejoining my friends.

Last Night, Last Chance– 3:15 Experiment 2008

August 30, 2008

Tonight at 3:15 is actually tomorrow, August 31, the last night of the 3:15 experiment 2008. So if you were thinking about doing it, but hadn’t gotten around to it, tonight’s your last chance for 2008! I will type my 315 experiment soon and start posting what’s worth reading!

How To Get Tickets to a Sold Out Show: Most of the Time

August 29, 2008

Last night we employed the secret that has got us into many a show: Have hope. Persevere.  Be patient.

While I don’t know whether that would have got us into the Democratic convention, it has got the Big Monkey into many a sold-out Bruce Springsteen show, as well as Grateful Dead and other shows, and we’ve  scored awesome box seats at the Hollywood Bowl for Thievery Corporation and Flaming Lips, Dylan, and for Beck and, basically, whatever shows we’ve wanted to attend.

There is a little more to it but not much. Read more…

Radiohead Consolation Prize: no Burning Man 2008 for Art Predator

August 28, 2008

No American Dream Burning Man for us this year, no sirree. Troubled tranny in the van, uncertain economics, plus a round of flu and colds put a dent in our travel plans.

Since we’re not out on the Black Rock Desert, getting sandblasted and sunburnt on that magnificent playa, being blown away literally and figuratively, as a sort of consolation prize, we see RADIOHEAD  in concert tonight in the cool, foggy Santa Barbara Bowl. Since this past year Radiohead’s In Rainbows cd has been my life soundtrack, on repeat for months at a time, it is a fitting consolation prize.

On Saturday, fellow non-burning burners will gather at our house, in playa finery or not, and we will burn a little man, symbolically in a fire, breathe in cool clean coastal air, dance around, maybe even get naked and soak in the hot tub lit by tiki torches. It’s not Burning Man, but once a Burner, always a Burner I say. The experience, the transformation, never leaves you.

LET THE MAN BURN WITHOUT ME (blogging about it!)

Broadsides: A Collection from ARTLIFE 1996-2004

August 28, 2008

From 1996-2004, I published some 3 dozen 8.5 x 11″ broadsides in ARTLIFE Limited Editions. These all combined poetry with original artwork.

I have begun posting several of my broadsides and poems on this blog on the page titled “Art Predator’s Greatest Hits” with links to the post with the text.

Slowly but surely, I will post them on the page titled “Broadsides: A Collection from ARTLIFE 1996-2003”  with links to the post with the full text located elsewhere on this blog.

Right now, here are three more that I published previously on this blog:

“Shells”–this piece has a shell embossed on the top; the poem is glued and sewed onto the backing paper.

“I’d Rather Be an Oak Than a Eucalyptus”–for ARTLIFE, I infused the paper with a blend of essential oils to smell like the earth around a eucalyptus tree and turned it into a concrete poem in the shape of a tree. It is hard to read here but not in the original.

"Id Rather Be An Oak"

“Redemption”

Redemption

Redemption

I collaged these items on the copier glass, copied it in black, then copied the text in blue, then sprayglued sand along the bottom, and applied a glow in the dark star to the top of each page.

These Brothers They: ARTLIFE broadside

August 28, 2008

I asked an adult male friend and my 7 year old nephew to help me do this project. For each of the edition of 218, my nephew, with his free hand, hit the copy button. Every one is configured a bit differently. After we did the hands in black, I ran the text on top in blue.

Find the full text of this poem, “These Brothers They” originally published in ARTLIFE Limited Editions 1999 here.

Pregnant art, poems, broadsides

August 27, 2008

It took my friend Min almost three hours to apply this henna pattern on my 8 month pregnant belly in a free form pattern. We knew we wanted to include the words ARTLIFE and a line from the poem “My belly has never been happier than now.” Several people tried photogrpahing the belly (Kathy Talley, Michael Bauer and MIn) and my friend Jane White helped me design the page using a photo by Min. The image was reproduced using burgandy ink. At my baby shower a few days later, my friends helped me paint them, and a few weeks later, it was published as the back cover of ARTLIFE November 2003.

Find the original blog post and full text of this poem here.

A few days before we did the henna art project, I asked my friend Alan Sailer to paint an alarm clock set set at just past 3:15am on my 8 month pregnant belly. He found the baby’s kicking rather disturbing but he still kept his hand steady enough for this result. I used blue ink for the ARTLIFE page; this broadside was also published in 2003.

After he painted the clock and Tim Timmerman photographed it, I showered the clock off and Alan painted the chakras with letters up my body, neck and face, and Tim photographed that to produce an image for the front cover of ARTLIFE November 2003.

For the full text of this 315 Experiment poem, please go here. Scroll to the bottom.

art predator

art predator )'( seek to engage the whole soul

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