Conceptual Poetry Conference: now on-line
from the U of AZ Poetry Center:
Caught on Tape. Conceptual Poetry and Its Others
Conceptual Poetry and Its Others was a smashing success with poets coming from all over the map to explore and define the conceptual modes of some of our sharpest writers in English today. “This symposium is going to be remembered for a very long time,” one survey respondent remarks, “a major literary event!” (The animated graphic to the left is a take-off version of Caroline Bergvall’s Ampersand.)
THE ART PREDATOR’S PICKS:
Watch the ampersands…I love those ampersands…
http://lesfigues.blogspot.com/2008/06/conceptual-poetry-conference-fit-to.html
and on what she calls the “sticky wicket” of the male voice dominant UBU web anthology; comments and clarifications include one by publisher Ara Shirinyan
ISSUE 3: CALL FOR PAPERS
Art Goes On
We’ll always be eager to find or create a new experience, a new source of exhilaration. But whatever you arrive at will very soon no longer be there. And so you will need to move on, or you will need to move up. And this will have to be your perpetual practice.
Ai Weiwei (Artforum, May 2008)
The editors of Reading Room invite contributors to reflect on the momentum of which Ai Weiwei speaks, to address a range of questions his statement evocatively raises. What is the relation between the contemporary artist’s desire to move on and the appetite of the market for newness? Where does this leave the project of historical reckoning that has traditionally been the task of the critic or art historian? If artists are caught in the effervescence of the now, how do they negotiate the historical legacies within which they are embedded? Is perpetual motion an antidote to history and its teleological ambitions or an impossible fantasy that is itself historically conditioned? Is such optimism a product of a buoyant and expanding art world or a symptom of its amnesia-inducing effects?
Reading Room encourages contributors to explore how art practice is shaped by and shapes current conditions. Equally, we invite submissions which consider the character of our moment to offer diagnoses of the situation for critical discourse.
Expressions of interest or short abstracts relating to this topic are sought by 30 June 2008.
Reading Room is a refereed journal of art and culture published annually by the E.H. McCormick Research Library at Auckland Art Gallery Toi o Tâmaki. The journal publishes essays of around 5000 words, artists’ projects, and shorter articles of around 1000 words for its archive section. Information for contributors is available at: www.aucklandartgallery.govt.nz/research/journal
The editors of Reading Room are Christina Barton, Natasha Conland and Wystan Curnow. Correspondence should be sent by email to the managing editor, Catherine Hammond: catherine.hammond@aucklandcity.govt.nz
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